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This site was created
February 16, 1997
It was last updated June 1,
2001
These are some
online articles about Rachael that I have found. Some include
interviews and articles on some of the films she has done. Enjoy!
"What's
new, pussycat? Plenty, for busy actress Rachael Leigh Cook"
Colin Covert
http://www.teenhollywood.com/d.asp?r=5119
Even before
''Josie and the Pussycats'' was released, Rachael Leigh Cook was
getting tired of the Obligatory Question.
"So," she says, imitating a typical media blockhead,
"three actresses on a movie. What was that like? Any
catfights?"
Her tone was mischievous rather than mean-spirited. Talking up
her new comedy last week in a phone interview, Cook projected
none of the swagger that affects some people who achieve fame at
an early age.
Smart, appealingly modest and charming, the 21-year-old
Minneapolis South High School alum didn't disguise her anxiety
about "Josie." The movie put her in the $1-million-plus
per picture club and could nudge her a few steps closer to
stardom. Or several paces further away.
Sensing a potential "Charlie's Angels" retro-brand
franchise in the making, Universal Studios is pushing the film
aggressively. Cook posed with co-stars Rosario Dawson and Tara
Reid on the cover of Entertainment Weekly magazine, and the
film's marketing spinoffs cover the gamut from a soundtrack CD to
pussycat-ear headbands.
Still, Cook denies feeling like the girl of the moment.
"There's definitely a couple people ahead of me in
line," she said. "Liv Tyler, definitely Kate Hudson,
Christina Ricci, Reese Witherspoon, Natalie Portman. Great
actresses. I've got no problem with being below them in the
hierarchy. We're all very different and I don't take it
personally when I lose parts to them," she said.
Not that she's hurting for work. Since the antidrug TV commercial
that showed her demolishing a kitchen with a frying pan -- and
landed Cook on the cover of USA Today -- she's had no trouble
landing roles.
She followed her 1995 debut in "The Baby-Sitters Club"
-- the film adaptation of a popular children's book series --
with a dozen films in three years.
Her turn as an acerbic nerd turned prom queen in "She's All
That" won her a slew of youth-oriented entertainment awards,
a recurring role on "Dawson's Creek" and prominent
parts in movies as diverse as the English hairdressing comedy
"Blow Dry" and Sylvester Stallone's revenge drama
"Get Carter."
Her busy, hopscotching career has followed a strategy "up to
a point," she said. "Optimally, I would do this great
dramatic piece and then I'll do this really funny comedy and I'll
do this thriller. And then you know what? The thriller's not
suspenseful and the drama nobody goes to see and the indie you
made doesn't get into Sundance.
These things happen all the time. You do the best work that you
can." Now, full circle, she's back in the teen market with
an adaptation of a popular kids' comic and cartoon series.
Although some might accuse her of tampering with the classics,
Cook said she couldn't resist the role of the spunky '70s cartoon
heroine "purely because of the script. I think this was an
odd occasion when I got [a desirable script] right off the bat.
It was so funny and original and made such a great statement
about free thought and individuality. I thought it stood on its
own. It just happened to be called 'Josie and the
Pussycats.'"
In the film, the band falls into the clutches of an evil Gepetto
who manufactures pop groups that brainwash teens into consumer
zombies. The irony of publicizing an anti-hype message movie
whose merchandise includes Barbie-style fashion dolls of Cook and
her co-stars is not lost on her.
"It's like that M.C. Escher image of the hand drawing the
hand drawing," Cook said. "In the movie we're all
against manipulating the youth of America through pop culture. At
the same time I'm on the phone telling you what's great about my
movie so you'll go see it. But am I brainwashing you? No. I just
want to emphasize that I think it's a cool, funny movie that I
had fun making. But if you don't want to see it, please don't
go."
That's either remarkable candor or brilliant reverse psychology.
That thing she did learning to play a musician convincingly
required a demanding stint in the same "band camp"
rehearsal studio that tutored the actors in "That Thing You
Do" and "Almost Famous."
"I'll be honest with you, that six hours a day was not
fun," she said. "There's a lot of pressure to perform.
I'm not a very musical person. There's not a lot of intricate
fingering -- in those parts they don't show me -- but for
everything you see, even though they're basic power chords we're
mimicking, everything is so fast!" As for the dubbing of her
singing voice, "let's just say for the good of the film, my
voice is not used."
Cook, who might reprise her "Josie" role if the film is
a hit, isn't banking on the youth market long-term. She intends
to be a working actress with a career that extends beyond the
ingenue phase. Her role model is Holly Hunter (whom she played as
a teenager for a flashback in the movie "Living Out
Loud.")
"She's made exceptional choices. More than that, she's just
brilliant. She has so much range. She's so intense and has a
beautifully native intelligence about her, and yet she's so
accessible. She's great to watch."
Cook co-produced her upcoming suspense film, "Tangled,"
a process she found "very frustrating, actually. You can get
the script changes you want made and you can get the people you
want in it and all those things. But at the same time, just when
I thought the movie was great and we sold it to Miramax, I got
this memo this morning -- four pages of proposed cuts. I'm
freaking out. The movie's not too long. If anything, it's getting
too short. And they keep cutting things! I'm so upset. It's a
good movie. I don't know what they're doing.
"It's better that I at least know about these things,"
she said. "If I was just acting in the film and I saw
everything on these pages was cut out, I'd just probably faint.
Now I can call somebody up and yell about it."
--Colin Covert
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